Jeff Lunden

For more than 50 years, John Williams' music has taken us to galaxies far, far away through adventures here on earth, made us feel giddy joy and occasionally scared us to death.

A much-anticipated revival of The Heiress, a 1947 play based on the Henry James novella Washington Square, opens in New York on Thursday. It marks the Broadway debut of two accomplished young stars — Jessica Chastain, the Academy Award nominee from The Help, and Dan Stevens, from the hit television series Downton Abbey.

Everywhere you look right now, it seems like American symphony orchestras are fighting for their lives — strikes, lockouts, bankruptcy. Perhaps the biggest example is the world-renowned Philadelphia Orchestra, which is just coming out of its own bankruptcy. Tonight, its new 37-year-old music director takes the podium as the venerable orchestra begins a reboot.

It's been a tumultuous time for American orchestras. Labor disputes have shut down the Minnesota Orchestra and Indianapolis Symphony, and strikes and lockouts have affected orchestras in Chicago, Atlanta and Louisville in the past year.

It all began last year, when the Library of Congress presented Samuel Beckett's Ohio Impromptu alongside a piece of music by composer Dina Koston, which responded to the text. A New York group, the Cygnus Ensemble, played the music, while Washington, D.C., director Joy Zinoman staged the play, for one night only.