Patrick deWitt is the author of The Sisters Brothers.
"Doesn't the act of noticing matter as much as what's noticed?" So asks the narrator of Harry Mathews' masterpiece of minutia, The Journalist.
On the mend from a nervous breakdown (though it's mentioned only in passing — "the steering wheel came off in my hands," he says), he's been encouraged by his doctor to keep a journal. A seemingly benign idea, and he throws himself into the task with gusto — far too much gusto, it turns out, as the journal soon eclipses his entire life.
<strong>Design Within Reach?</strong> The cool sterility of <em>2001: A Space Odyssey </em>is just one example of how pop culture expresses an anxiety that's seemingly about technology, but may be as old as time.
When Hollywood imagines the future, from Logan's Run to Avatar, it tends to picture living spaces as sterile and characterless, without any cultural clues to the person who lives there. No record library, no DVDs, no Hemingway on bookshelves ... often no bookshelves.
State lawmakers are expected to take up a package of election reforms this week proposed by Secretary of State Scott Gessler. It’s just one of more than a dozen pieces of legislation Gessler is hoping to get approved during the session.
When Brian O. Selznick wrote The Invention of Hugo Cabaret — a graphic novel about an orphan in 1930s Paris — he imagined the secret spaces of a Paris train station. For inspiration, he visited Grand Central Terminal in New York City. But the scenes in the book — hidden tunnels, secret rooms, the giant clock tower — were all drawn from Selznick's imagination and later turned into the movie Hugo by Martin Scorcese, which is nominated for 12 Academy Awards.