Arts & Culture

When I heard that the Mexican literary legend Carlos Fuentes died Tuesday at 83, I remembered a long, easygoing interview I did with him years ago. We talked about many things — including what epitaph he wanted carved on his tombstone.

It was the autumn of 1995 and I was a reporter at The Washington Post, assigned to write a profile of the elegant, eloquent Fuentes. I draw on that story now, for twice-told tales worth telling.

He had come to Washington, D.C., to receive the Mexican Cultural Institute Award and to read from one of his two-dozen or so novels at the Smithsonian Institution.

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DAVID GREENE, HOST:

In New York City, there's a new structure taking shape high above Central Park.

ANNE STRAUSS: Once we started to hoist the modules with an enormous crane, people became aware of it. You can see if from great distances.

STEVE INSKEEP, HOST:

That's Anne Strauss, an associate curator at the New York Metropolitan Museum of Art. She's talking about a new exhibit in the Met's rooftop garden called "Cloud City."

GREENE: The piece stands 28 feet tall, and it's composed of 16 many-sided pods. Think here about something looking like a space station, or maybe an outcrop of gemstones that you can climb inside and explore.

STRAUSS: You're walking through it. And you're seeing slices of the city turned upside down.

Carlos Fuentes was the son of a Mexican diplomat and spent years living abroad, including in the United States. But Mexico — the country, its people and politics — was central to his writing.

Fuentes, one of the most influential Latin American writers, died Tuesday at a hospital in Mexico City at the age of 83. He was instrumental in bringing Latin American literature to an international audience, and he used his fiction to address what he saw as real-world injustices.

Fuentes' style has been called "cinematic," like in his 1962 novel The Death of Artemio Cruz, when a Mexican millionaire lies on his deathbed describing his body's decay:

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ROBERT SIEGEL, HOST:

One of Mexico's greatest writers has died: Carlos Fuentes. He was 83. Fuentes was a central figure in the Latin American literary boom of the 1960s and '70s. And he was publishing fiction and essays until the end, including an essay published today in the Mexican newspaper Reforma. Our own book critic Alan Cheuse knew Fuentes and reviewed many of his novels. Hi, Alan.

ALAN CHEUSE, BYLINE: Hi, Robert.

SIEGEL: And first, give us a sense of the broad sweep of Carlos Fuentes' career, and what made his work so important?

Time now for a home viewing recommendation from our film critic Bob Mondello. This time Bob urges taking the plunge from the seven-and-a-half-th floor into the Criterion Collection's Blu-ray release of Being John Malkovich.

1999 Weirdness run amok: Struggling puppeteer John Cusack gets a filing job in an office building where one floor — seven-and-a-half — isn't quite tall enough for him to stand, but does have a portal into the mind of actor John Malkovich. As he tells co-worker Catherine Keener, "you see the world through John Malkovich's eyes, and then after about 15 minutes, you're spit out into a ditch on the side of the New Jersey Turnpike."