Salesmen are rarely heroic figures in American culture. They're often shown as slick, unscrupulous charlatans like Ricky Roma in David Mamet's play Glengarry Glen Ross. And then there are sad, defeated characters like Willy Loman in Death Of A Salesman, who shortly before taking his life says, "After all the highways, and the trains, and the appointments, and the years, you end up worth more dead than alive."
Yet sales drive the economy. The cleverest invention or product will disappear — creating no income, no employment — unless someone can sell it.
Originally published on Sat April 28, 2012 10:22 am
Michelle Yeoh plays pro-democracy activist Aung San Suu Kyi in <em>The Lady</em>. Yeoh says it was important that the film portrayed Suu Kyi's struggles realistically, including how her 15-year house arrest kept her from her husband and sons.
Secretary of State Hillary Clinton told reporters at a recent film premiere that she'd told Aung San Suu Kyi that she was moving from being an icon to being a politician.
The film Clinton saw is The Lady, starring Michelle Yeoh as the pro-democracy activist who spent 15 years under house arrest in Myanmar (also known as Burma), and who won the Nobel Peace Prize before being freed in 2010.
Director Garry Marshall has worked on so much popular comedy in his career — television like Happy Days and The Odd Couple, movies like Pretty Woman and Beaches — that something he's done has probably made you laugh. And now he's written a memoir called, fittingly, My Happy Days In Hollywood: A Memoir.
On a chilly grey morning I come across a big, lush patch of nettles in a Pittsburgh park. Leah Lizarondo, the food writer who brought me here, has her hands wrapped in old plastic bread bags.
Those bags are crucial because touching stinging nettles with your bare hands can be pretty unpleasant. "It's like something pricked you, like a little ant bit you, and then it starts being a little painful," said Lizarondo.
Today at All Things Considered, we continue a project we're calling NewsPoet. Each month, we bring in a poet to spend time in the newsroom — and at the end of the day, to compose a poem reflecting on the day's stories.