One night in 1947, an intensely curious 5-year-old boy named Michael McCleery asked his father for a story. So his father, William McCleery, produced a tale that revolved around a wolf named Waldo, a hen named Rainbow, and another little boy, the son of a farmer, named Jimmy Tractorwheel. Over weeks and weeks, William serialized the story, telling it in installments to Michael and his best friend during bedtimes and Sunday afternoon outings.
Michael Chabon's latest novel, Telegraph Avenue, is named after the famed road between Oakland and Berkeley in California.
In the book, that's also where two couples — Nat and Aviva, who are white, and Archy and Gwen, who are black — are struggling to get by. The two men are friends, partners in a vinyl record shop. Their wives work together as nurse midwives.
Over the course of a couple of weeks, the characters deal with threats to their work, to their relationships and their very way of being. Chabon delves deeply into issues of art, race and sexuality.