Americans have always been fascinated by con men. Why else would we have so many movies about legendary swindlers? Most real-life cons are probably less entertaining than the ones on the silver screen, but in her new book, Amy Reading unearths a historical swindle that rivals anything ever imagined by Hollywood.
Raquel Jaramillo's debut novel, Wonder, written under the pen name R.J. Palacio, was born out of a rather embarrassing incident. The author was out with her two sons, sitting in front of an ice cream store. Her oldest had just finished fifth grade, and her youngest was still in a stroller. They spotted a girl whose face had been deformed by a medical condition.
Seventy years ago, in the middle of World War II, a couple of hundred miles north of Toulouse, Claude Lanzmann was a high school student — and an assimilated French Jew. Every day he faced the risk of arrest.
When Lanzmann was a teenager, both he and his father independently joined the Communist Resistance. He writes about that in his newly translated memoir, The Patagonian Hare.
When 21-year-old Kevin Smith decided he wanted to be a filmmaker, his sister gave him some advice: "Don't say you want to be a filmmaker; just be one." So he did. He made his first film, Clerks, on a shoestring, shooting at the convenience store where he worked.
What makes people creative? What gives some of us the ability to create work that captivates the eyes, minds and hearts of others? Jonah Lehrer, a writer specializing in neuroscience, addresses that question in his new book, Imagine: How Creativity Works.
Lehrer defines creativity broadly, considering everything from the invention of masking tape to breakthroughs in mathematics; from memorable ad campaigns to Shakespearean tragedies. He finds that the conditions that favor creativity — our brains, our times, our buildings, our cities — are equally broad.