Bob Dylan has made some puzzling moves in his celebrated career, but the compilation that his record label recently released may be as odd as anything he's ever put out.
The compilation, 50th Anniversary Collection, is a limited-edition, four-CD set that was only released in Europe. It seems to have been designed by the label to exploit a recent change in European copyright law.
Neil Young made me write this. Before last Thursday, when ol' Shakey and his golden garage band Crazy Horse stomped through my local amphitheater, the last thing I'd thought I'd be excited about was a bunch of guys hovering around 70, playing loud rock and roll into the night.
The singer Aaliyah, performing in 1998. Since her death in 2001, many singers have applied her soft, sexy vocal style to R&B, pop and indie hits.
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The mists of eternity wafted over my Twitter feed the other night. Okay, not quite — but talk of eternity, or at least of the pop scene in thirty years, did make for a lengthy and spirited group exchange. It started when a friend who's not fond of singing competitions asked whether Kelly Clarkson will be remembered in 2042.
Bob Dylan at a press conference at the Savoy Hotel in London in 1966.
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Yesterday my husband and I had the same thought at the same time. It's not an uncommon occurrence for two writers who've spent decades arguing and enthusing about pop music. I mention it, in part, to stave off accusations that I'm plagiarizing from a nearby source, but also because I think what we reflected upon in light of the writer Jonah Lehrer's fatal mistake was probably in the minds of many music obsessives.