For thousands of years the Jewish people have been forced to move around — fleeing bigotry, slavery, pogroms, famines and tyrants. But words are portable, and to Jews — who are among those known as "the People of the Book" — they are precious possessions. As Amos Oz and his daughter, Fania Oz-Salzberger, write in their new book, Jews and Words, "Ours is not a bloodline, but a text line."
I'm often asked how I choose the books that I'm going to talk about on Morning Edition's "Under the Radar" segments. Simple: I just pick some of the titles that I've most enjoyed since the last time I was on, without concern for whether they're fiction or nonfiction, genre or not, or aimed or classified as being for children or teens.
When you think of mental illness, you don't often think of comics; but for cartoonist Ellen Forney, the two came crashing together just before her 30th birthday. That's when she found out she has bipolar disorder, a diagnosis that finally explained her super-charged highs and debilitating lows.
William Styron was one of the flamboyant literary figures of the 20th Century. He was a Southerner whose novel Lie Down in Darkness received immense acclaim when he was just 26 years old. He would go on to write the Confessions of Nat Turner, for which he received the Pulitzer Prize for fiction in 1968.
But for the last 27 years of his life, Styron did not write a novel. He battled depression, and wrote a seminal work about it, Darkness Visible, in 1990.
When Philip Hensher realized he didn't know what his best friend's handwriting looked like, he decided to write a book. Host Rachel Martin speaks with Hensher about that book, The Missing Ink: The Lost Art of Handwriting.