Rebecca Hall, a veteran of films like Vicky Cristina Barcelona and The Town, is the star of the new surveillance-state thriller Closed Circuit, playing an English barrister charged with monitoring top-secret, closed-to-the-public evidence hearings involving a terrorist bombing.
A group foster home + abused and at-risk kids + tough love + junior staff nearly as troubled as their charges: The potential for cliche is everywhere in Destin Cretton's enormously engaging Short Term 12, and — happily — is everywhere avoided. What might seem on paper a cloyingly sentimental heartwarmer becomes, in Cretton's hands, a briskly believable, often funny, always invigorating and ultimately wrenching story of emotional fortitude.
Japanese painter and sculptor Ushio Shinohara was the bad boy of the avant-garde when he came to the U.S. more than 50 years ago. He knew Andy Warhol, hung with Red Grooms and polarized audiences with his vivid work.
And Ushio met his wife, Noriko Shinohara, not long after arriving here. She's an artist, too, but she's spent most of her career living in his shadow.
Less so recently, though. Noriko is coming into her own. And now the story of their life together is the subject of an intimate new documentary called Cutie and the Boxer.
When I was 9, I spent a lot of time at a public library just down the street; I was already a theater nerd, and it had a well-stocked theater section. Not just books, but original cast albums for Broadway shows old and new. One day, an addition: The Music Man, about a salesman who was crazy about a girl named, as one song put it, "Marrrrrrrion, madam librarian."