Almost every record you know that was a 1960s radio hit had a secret weapon — a crew of L.A. backing musicians known as "The Wrecking Crew." This group, which included the likes of Glen Campbell, Hal Blaine and Carol Kaye, helped artists ranging from the Partridge Family to the Beach Boys make great-sounding albums.
Sufjan Stevens is a classically trained singer-songwriter whose recent work has leaned symphonic. Son Lux is a classically trained beatmaker whose solo albums do indeed evoke luxury. Serengeti is a self-trained rapper who creates voices for a panoply of full-fledged characters who range from scufflers to yuppies. Billed as s / s / s, this ad hoc trio has just released an EP called Beak and Claw that somehow synthesizes their specialties.
Joachim Cooder is no stranger to collaborations, nor is he new to scoring soundtracks, yet Cooder's newest project combines his past experiences in an unexpected way. Son of legendary guitarist Ry Cooder, he took to the drums early on, and eventually played in the famous documentary Buena Vista Social Club. He's also worked behind the scenes, writing for the soundtracks of films such as Lars and the Real Girl.
Originally published on Tue September 18, 2012 5:47 pm
Tonight, when Ryan Seacrest announces who has won the 11th season of American Idol — when the confetti falls and Jennifer Lopez sheds a perfect dewy teardrop and Randy Jackson's thought bubble explodes with "Dude, that was a moment moment MOMENT" and Steven Tyler purses his immortal lips in that vampire-connoisseur way he does, smelling the perfume of another sweet young victory — I will be out to dinner with friends, far from the agony and ecstasy finalists Jessica Sanchez and Phi