The windowsills were lined with people standing, as every nook between every office desk filled to capacity with NPR employees and their assorted guests. Pixies, after getting misplaced for a time in our parking garage during a moment worthy of This Is Spinal Tap, showed up in time to encounter the largest crowd we've ever assembled for a Tiny Desk Concert. (Our new office space allows for more guests than the old one did, but it's still a mark of this band's significance for so many youthful grownups.)
Blues guitarist Lowell Fulson in Paris, France, 1980.
Credit Lionel DECOSTER CC BY SA / Creative Commons
Some say Lowell Fulson is the second most important figure in West Coast Blues after T-Bone Walker. I feel strongly about the great T-Bone so maybe it carries some weight that I’d say Fulson is not number two, but a co-equal number one.
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch her and you'll see calm in her eyes; listen to her and you'll sense torment in her heart. Olsen gave us a preview of her third record on that October day; she wouldn't tell us the title, but she did say the word "Burn" with a hint of the title in the words to a song she'd sing.