Beatles tunes are very hard to license — the surviving band members and heirs have been choosy about who can play their songs. AMC's Mad Men made the cut. For a reported $250,000, the show was allowed to pay "Tomorrow Never Knows."
America is not a two-party country — it's a multiparty extravaganza.
We turn every possible pause from work into a party: New Year's Day, the Super Bowl, Mardi Gras, St. Patrick's Day, Memorial Day, the Fourth of July, Labor Day, Halloween, Thanksgiving, Christmas and New Year's Eve.
And on Saturday, many Americans will play overtime by reveling in a pair of nationwide celebrations — Cinco de Mayo and the Kentucky Derby. Establishments everywhere will be mashing up Mexico and the Bluegrass State.
When I went to see The Avengers the very day it was released, I texted a friend in San Francisco. It seems kind of unfair, I said, that because of the 12-hour time difference, I get to see The Avengers before you do.
Turns out I was a week off. The Avengers actually released in 39 countries around the world, including India, a week before it opens in America.
Maybe you needed a good cry, but you were at work and didn't have easy access to your DVD of "The Notebook." So, you searched for that heart wrenching break-up scene on YouTube and let the tears flow freely.
Could be, nostalgic for times past when "real" men wore suits and drank bourbon, you were itching to watch Humphrey Bogart tell Ingrid Bergman, "Here's lookin' at you kid."
This week's cover of the New Yorker magazine is a witty drawing by artist Chris Ware of a playground full of young children and their watchful parents. One woman wheels her son in a stroller, only to see that all the other parents are men. The image is called "Mother's Day."
But for all the memorable New Yorker covers out there, an equally large number of covers didn't make it to the newsstand. They were not quite on the money — or were sometimes a little too coarsely on the money.