Every Sunday, hundreds of worshippers descend on the Sikh Temple of Wisconsin in Oak Creek, just south of Milwaukee. They come here to pray and to eat a weekly meal together, called a langar. On Aug. 5, 2012, as women were preparing the meal, a gunman opened fire, killing six people, including the temple president, a priest, fathers and a mother, before turning the gun on himself. Photos of the victims now hang in the lobby of the temple, called a gurdwara.
The nation's first black public high school, Paul Laurence Dunbar High, opened its doors in Washington, D.C., in 1870. But more than 140 years later, Dunbar — like many urban schools — has fallen on hard times. The crumbling, brutalist-style building is often described as a prison, and graduation rates hover around 60 percent.
But it wasn't always that way. Once upon a time, the yearbook read like a Who's Who of black America.
Artist Faith Ringgold is best known for what she calls her story quilts — large canvases made in the 1980s, on which she painted scenes of African-American life: sunbathing on a tar roof, a mother and her children, a quilting bee. She frames the canvases in strips of quilted fabric, carrying out an old African, and African-American quilt-making tradition.
The National Museum of Women in the Arts in Washington is showing an earlier aspect of Ringgold's art: big, strong, vivid paintings from the 1960s that reflect the violence and social upheaval of that time.