Star & Micey brings a fresh perspective on the Memphis music scene, where the band currently thrives; it was listed at No. 1 on Paste magazine's list of "12 Tennessee Bands You Should Listen to Now," and it was also our World Cafe: Next artist this week.
"Suspicious Minds" by Elvis Presley. "Do Right Woman, Do Right Man" by Aretha Franklin. "Son of a Preacher Man" by Dusty Springfield. "Sweet Caroline" by Neil Diamond. All of these legendary songs were recorded at Memphis' American Sound Studio, the last of the five studios we're featuring in our trip to Memphis as part of the quarterly "Sense of Place" series.
We couldn't leave Memphis without a taste of the blues from gospel-blues singer and preacher Rev. John Wilkins. He's the son of Rev. Robert Wilkins, who wrote "Prodigal Son," a song famously covered by The Rolling Stones on Beggars Banquet.
Here, we've got a performance by Rev. John Wilkins with his band — and his daughters on backing vocals. During our interview, Wilkins spoke about his faith and his father, and even sings a version of "Prodigal Son" himself.
Originally published on Thu January 17, 2013 2:27 pm
Credit Courtesy of Royal Studio
As part of our "Sense of Place" tour of Memphis, we're on to Royal Studio, where Al Green, Ann Peebles and others made some of the 1970s' most important soul music for Hi Records.
Most of that music was produced by the late Willie Mitchell. Here, we've dug up a 2005 interview with Al Green wherein he tells the story of how Mitchell helped him find his voice. We also talk with Mitchell's son, Boo, who grew up at Royal. His dad told him, "Don't turn Royal into a museum when I die." Don't worry; he hasn't.
In this "Sense of Place" installment, we meet the blue-collar Memphis rock band Lucero, which performs a stripped-down session in Ardent Studio A, where they worked on their album 1372 Overton Park.
In the beginning, Lucero was all about combining a punk aesthetic with Tom Waits' lyrical sensibility. Over the years, the Memphis sound has crept into the band's music, including a horn section on its last two albums.