What do a reanimated deviant surgeon, a cannibalistic serial killer and a demon-plagued, vomit-spattered priest have in common? They're all characters in camp stage musicals inspired by horror films — and they're all played by the same classically trained opera singer.
His name is Jesse Merlin, and he looks a little like a young, untanned George Hamilton. But he has a bass-baritone voice that would be perfect for Gilbert and Sullivan.
Since that's not what Hollywood's looking for, Merlin had to scare up roles elsewhere.
This spring, more than in any recent year, the 2012-2013 Broadway season accelerated toward its conclusion: Nineteen productions opened between the beginning of March and April 25, the cut-off date for Tony eligibility. And many of those shows raised their curtains in the final two weeks of the season.
Throughout the entertainment industry, alumni of a tiny, vocational high school program are at work: building sets in Hollywood, mixing sound on Broadway, performing on TV shows like The Office. They're graduates of the Addison Repertory Theater (A.R.T.), an incubator for actors and theater technicians at the Hannaford Career Center in Middlebury, Vt.