Johanna Day as Margie and Andrew Long as Mike in the recent Arena Stage production of David Lindsay-Abaire's <em>Good People</em>. The childhood friends drift apart as their lives take on very different socioeconomic dimensions.
How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."
As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.
The Last Five Years originally ran off-Broadway in 2002. Cited as one of Time magazine's "Ten Best of 2001," it won Drama Desk awards for Best Music and Best Lyrics.
There are only two characters in the musical, Jamie and Cathy. Jamie is a young novelist and Cathy is a struggling actress. Told in reverse chronological order, the drama shows what happens when an artistic couple's romance fizzles out.
There's hardly an adult anywhere in the world who wouldn't recognize at least some of the music of Motown.
The R&B label changed the course of music in the United States and made household names of Diana Ross, Stevie Wonder and The Jackson 5. Now, the man who created Motown — Berry Gordy — is headed to Broadway to tell his version of how it all began.
When the stage lights go up at Chicago's Goodman Theatre on Monday evening, more than 20 high school students will each have a moment to step into the spotlight and perform a monologue from one of the plays written by the late August Wilson. Chicago's contest is one of several regional finals that strives to introduce students to the Pulitzer Prize winner's work. It's also a lead-up to the national August Wilson Monologue Competition that will be held on Broadway later this spring.
Twenty years ago, theatrical clowns Bill Irwin and David Shiner collaborated on a Broadway show called Fool Moon — a giddy mixture of slapstick, improv and audience participation that proved such a success that it came back to Broadway for two more runs and toured both the U.S. and Europe. Now Irwin and Shiner have put together a new show called Old Hats, and it's been receiving rave reviews off-Broadway.
Irwin and Shiner's rubber-faced, loose-bodied clowning hasn't gotten easier over two decades.