Shovels & Rope's presence in the NPR Music offices attracted plenty of interest; many in attendance had long since fallen in love with the husband-and-wife duo's mix of rowdy folk-rock and rootsy balladeering.
Latin jazz works best when the musicians involved are as fluent in Afro-Cuban rhythms as they are in the deep grooves and advanced harmonics of bebop. Arturo O'Farrill has that pedigree in his DNA: His father, Chico O'Farrill, was part of a groundbreaking group of musicians who created the mash-up of Afro-Cuban music and jazz back in late-'40s New York.
As lead singer of the youthful Manchester band The 1975, Matthew Healy has cranked out a batch of enjoyably wiry songs, most notably the singles "Chocolate" and "Sex" — each of which has attracted more than a million YouTube plays. The group has been bubbling up, here and in the U.K., for the last year or two, as it's toured with Muse and released an album and four EPs full of brash-but-winsome, electronics-tinged pop-rock.
There's something alluring and charming about Bombino, whose childlike face belies his fierce, hypnotic guitar playing. The first time I saw him perform, I found myself screaming his name at the end of every song — partly to praise his amazing jams, but also as an exercise in bonding. It felt as if I were yelling out to a buddy on stage, even though I'd never met him. I just felt a connection; his sound is that personable and familiar.
Baths, a.k.a. Will Wiesenfeld, plays mysterious and textured electronic music. When Wiesenfeld came to the Tiny Desk, I expected contemplative tones and a laid-back performance; he does, after all, call his project Baths. But what sets him apart from the vast majority of like-minded performers is that his music doesn't get buried behind the buttons or lost in a hypnotic glaze.